Features ‘Change is the most constant thing we got’: D.C. artists reflect on the COVID-19 pandemic, and how they’ve recovered In early 2020, the COVID-19 virus began to spread worldwide, quickly transforming the lives of billions across the globe.... October 11, 2023 0
Features Jazz and cocktails: Shanklin Hall and Moonlight keep the groove going in Adams Morgan Talk to any jazz musician on the East Coast, and you may hear stories of Columbia Station. For 22... September 13, 2023 0
Features DCPS walked back its plan to take over Duke Ellington School of the Arts. But what does the future hold for the legendary school? I remember in 2004 when I came to audition for the Duke Ellington School of the Arts. Growing up,... May 19, 2023 0
Features Archival LPs revisit the lasting legacy of the Left Bank Jazz Society For nearly 40 years, The Left Bank Jazz Society (LBJS) presented regular Sunday jazz shows in Baltimore, and turned... April 26, 2023 0
Features Braxton Cook brings his experiences, inspirations and love of family to ‘Who Are You When No One Is Watching?’ There’s something to be said for an artist that doesn’t just make music with the objective of creating hits.... April 11, 2023 0
Features Through Cats’ Eyes: Saxophonist Brian Settles’ intimate, evocative images of Brookland D.C. Editor’s note: This article is part of a recurring series highlighting D.C. musicians who double as photographers, part of... March 10, 2023 0
Features The lost but not forgotten history of the African Music Gallery, a D.C. institution The past 10 years or so will likely be remembered as a breakthrough moment for West African pop music... February 17, 2023 0
Features Fight in Hell: How Jason Moran uplifts the legacy of James Reese Europe — and inspires action today In May 1919, W.E.B. Du Bois penned one of his most famous editorials, “Returning Soldiers.” Having fought in the... February 8, 2023 0
Features House without organs: Rhizome DC, hear and now The word – the troubling, discouraging word – didn’t come from their landlord, remembers Layne Garrett. Sometime late in... January 20, 2023 0
Features Cécile McLorin Salvant is bringing her magnum opus ‘Ogresse’ back to the Kennedy Center. Here’s what to expect. Whether she’s putting her spin on a Burt Bacharach number or an old American folk standard — or performing... November 11, 2022 0