Album review | Tommy Cecil & Bill Mays’s Side By Side: Sondheim Duos

by John Cook
CapitalBop contributor

Side By Side: Sondheim Duos is an enjoyable project that applies considerable sensitivity to an edge of the great American songbook that has been less traveled in jazz circles: the show tunes of Stephen Sondheim. Though they don’t perform any of their own compositions, the duo of the pianist Bill Mays and the bassist Tommy Cecil uncovers some original ground in this effort, consistently demonstrating a deep rapport that seems very conversational and effortless. There’s no doubt it is founded on a mutual familiarity with each other’s playing.


Selected as one of five discs on “CapitalBop’s Best Albums of 2012: Honorable Mention.” Click to view the full list.


The piano-bass duo format provides a lighter sonic palette, which is ultimately well suited to the material. It provides opportunities to explore nuances in the compositions that would not be so apparent in their native Broadway treatments.  The result is a pleasant listen, with the unity in feel that comes from the work of a single composer but enough depth to remain interesting throughout.

“Not While I’m Around,” Tommy Cecil & Bill Mays

 
One can hope that now that they’ve completed this repertory project, Mays and Cecil will record some of their own compositions. The ease of their communication and the way they seem to complete each other’s sentences would be put to good use on a project that focuses on exploring original material.

You can purchase Side by Side at CDBaby.

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About Giovanni Russonello

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A co-founder of CapitalBop, Giovanni Russonello has also served as a music writer and critic for the New York Times. He teaches writing as a lecturer at New York University's School of Professional Studies and hosts a weekly radio show on WPFW 89.3 FM on Thursdays from 3 to 5 p.m. He is currently at work on a biography of Gil Scott-Heron. Reach Giovanni at [email protected]. Read him at giovannirussonello.tumblr.com or nytimes.com/by/giovanni-russonello.

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